Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
There are paintings of landscapes Swallow

ID: 56733

unknow artist There are paintings of landscapes Swallow
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unknow artist There are paintings of landscapes Swallow


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unknow artist

  Related Paintings of unknow artist :. | Bargain in Opatow. | Arab or Arabic people and life. Orientalism oil paintings 440 | Tiondemotet in Scandal | Arab or Arabic people and life. Orientalism oil paintings 257 | gustav k;imts visar de fientiga krafterna i form av kvinnor som star mellan manniskan och hennes lycka |
Related Artists:
Marin, John
American Painter, 1870-1953 American painter and printmaker. He attended Stevens Institute in Hoboken, NJ, and worked briefly as an architect before studying at the Pennsylvania Academy of the Fine Arts in Philadelphia from 1899 to 1901 under Thomas Pollock Anshutz and Hugh Breckenridge (1870-1937). His education was supplemented by five years of travel in Europe where he was exposed to avant-garde trends. While abroad, he made etchings of notable and picturesque sites
Eugne Joseph Verboeckhoven
(1790-1881), Belgian painter, was born at Warneton in West Flanders, and received instruction in drawing and modelling from his father, the sculptor Barthelemy Verboeckhoven. Subsequently he settled in Brussels and devoted himself almost exclusively to animal subjects. Shepherd with animals in the countryside attributed to Eugene Verboeckhoven - private collectionHis paintings of sheep, of horses and of cattle in landscape, somewhat after the manner of Paulus Potter, brought him universal fame, and were eagerly sought for by collectors. Precise and careful finish is the chief quality of his art, which is entirely objective and lacking in inspiration. Verboeckhoven visited England in 1826, Germany in 1828, and France and Italy in 1841, and died at Brussels in 1881. He was a member of the academies of Brussels, Ghent, Antwerp, St. Petersburg and Amsterdam. Examples of his art are to be found in nearly all the important galleries of Europe and the United States, notably in Brussels, Antwerp, Amsterdam, Hamburg, Berlin, Munich, New York, Boston and Washington D.C.. His long life and ceaseless industry account for the enormous number of his pictures in public and private collections and in the art market. In addition to his painted work he executed some fifty etched plates of similar subjects.
Laura Theresa Alma-Tadema
(1852 C 15 August 1909 in Hindhead) was from 1871 the second wife of the painter Lawrence Alma-Tadema and a painter in her own right. A daughter of Dr George Napoleon Epps (who was brother of Dr John Epps), her two sisters were also painters (Emily studied under John Brett, a Pre-Raphaelite, and Ellen under Ford Madox Brown), whilst Edmund Gosse and Rowland Hill were her brothers-in-law. It was at Madox Brown's home that Alma-Tadema first met her in December 1869, when she was aged 17 and he 33. (His first wife had died in May that year.) He fell in love at first sight,and so it was partly her presence in London (and partly the fact that only in England had his work consistently sold) that influenced him into relocating in England rather than elsewhere when forced to leave the continent by the outbreak of the Franco Prussian War in July 1870. Arriving in London at the beginning of September 1870 with his small daughters and sister Artje, Alma-Tadema wasted no time in contacting Laura, and it was arranged that he would give her painting lessons. During one of these, he proposed marriage. As he was then thirty-four and Laura was now only eighteen, her father was initially opposed to the idea. Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871 and, though this second marriage proved childless, it also proved enduring and happy, with Laura acting as stepmother to her husband's children by his first marriage. The Paris Salon in 1873 gave Laura her first success in painting, and five years later, at the Paris International Exhibition, she was one of only two English women artists exhibited.






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